GQĪston Martin bets on a Formula One comeback to revive the brand: The team’s billionaire owner is spending a fortune to overtake rivals on and off the track. Jackals: How to survive in the underworld of professional basketball: The story of a once-hot recruit living on the street, an idealistic team owner, and the nomadic life of working-class ballers. The Queen will speak to Harry while Charles feels traduced over claims he cut his son off - but has the Sussexes’ whirlwind already blown itself out? The Timesīrittle new world: Policymakers, military planners, business people, and individuals need to have a much clearer idea of networks and their inherent weaknesses, and their own exposures to networks that might be overly connected or overly optimized. The Firm stands firm on Harry and Meghan: The royal family is licking its wounds after enduring trial by TV. Meghan and Harry interview fallout: What happens now? Patricia Treble on the seismic effects of the racism allegation, why the interview has come under fire, and what the future holds for the Sussexes. But in a year when everything fell apart, the 2020 Iowa caucus was the first institution to collapse. The Iowa Caucus is supposed to tell a story about America. Troy Price devoted years of his life to the Iowa caucus, hoping to make it successful, transparent, and inclusive. "The Beatles: Get Back" is being read by some as an exculpatory document - proof that Ono was not responsible for destroying the Beatles.Union in crisis as polls reveal voters want referendum on Scottish independence and united Ireland: The UK is facing a constitutional crisis that will strain the Union as new polls reveal a majority of voters in Scotland and Northern Ireland want referendums on the break-up of Britain. I was seeing intimate, long-lost footage of the world's most famous band preparing for its final performance, and I couldn't stop watching Yoko Ono sitting around, doing nothing. My attention kept drifting toward her corner of the frame. The Beatles record the album that will become 'Let It Be.' Yoko Ono is also there. But as the hours passed and Ono remained - painting at an easel, chewing a pastry, paging through a Lennon fan magazine - I found myself impressed by her stamina, then entranced by the provocation of her existence and ultimately dazzled by her performance. Why is she there? I pleaded with my television set. The vast set only emphasizes the ludicrousness of her proximity. At first I found Ono's omnipresence in the documentary bizarre, even unnerving. When George Harrison walks off, briefly quitting the band, there is Ono, wailing inchoately into his microphone. Later, when the group squeezes into a recording booth, Ono is there, wedged between Lennon and Ringo Starr, wordlessly unwrapping a piece of chewing gum and working it between Lennon's fingers. Lennon slips behind the piano, and Ono is there, her head hovering above his shoulder. When the band starts into "Don't Let Me Down," Ono is there, reading a newspaper. When Paul McCartney starts to play "I've Got a Feeling," Ono is there, stitching a furry object in her lap. She perches in reach of John Lennon, her bemused face oriented toward him like a plant growing to the light. Early in "The Beatles: Get Back," Peter Jackson's nearly eight-hour documentary on Disney+ about the making of the album "Let It Be," the band forms a tight circle in the corner of a movie soundstage.
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